Flickr Feature Fri Jul 03 2009
Friday Flickr Feature
Watercolor by Vaughnda Johnson. Join the A/C Flickr Pool!
— Andrew Huff / Comments (0)
Watercolor by Vaughnda Johnson. Join the A/C Flickr Pool!
— Andrew Huff / Comments (0)
Although the trailers for Michael Mann's latest slice of magnificence emphasize the more action-oriented scenes from his film about the latter days of bank robber and cultural icon John Dillinger, in truth the strength of Public Enemies is not entirely in those moments. There are certainly a handful of bank robberies and moments where law enforcement corner Dillinger and his gang that feature some ferocious gunplay, but it's what happens between the scenes of bullets flying that impressed me the most and helps this become one of the greatest films about the birth of modern day crime and crime-fighting that I've ever seen.
Public Enemies also serves as a much-needed reminder that Johnny Depp gained his reputation as one of the greatest actors living today by actually acting and not simply creating real-life cartoon characters with pale skin, funny makeup and wigs. With Mann's guidance, Depp breathes life and soul into a man who has served a lengthy prison sentence and learned much while behind bars about military-style bank heists and what's important to him. Depp doesn't play Dillinger as overly tough or as some ridiculously suave ladies man. His flaws and qualities aren't nearly as easy to spot immediately, but Depp does a fantastic job of parceling out personality details about John Dillinger in a way that we grow eager to discover more as the film goes on.
— Steve Prokopy / Comments (0)
Love knows no age. But when a passionate affair occurs between a 12-year-old girl and a 40-year-old man, love is questioned. Blackbird, written by Scottish playwright David Harrower, is the story of two unlikely lovers reunited 15 years after their forbidden relationship. After six years in prison, Ray changed his name and moved to another area away from Una, the young girl with whom he became sexually involved. When she sees his picture in a magazine, she traces him to where he works. The two are confronted with old feelings, pain, and resentment about their past. The play raises questions and confusion about sexual abuse, as well as the dynamic relationship between these two tormented individuals.
Blackbird received immense praise after its premiere at the Edinburgh International Festival in 2005, and it even won the 2007 Olivier Award, beating out competitors like Tom Stoppard's Rock 'n' Roll, and Peter Morgan's Frost/Nixon. Now the play is coming to Chicago. And with it the return of Chicago native William Peterson. This is only the second theater production Peterson has done since leaving CSI:Crime Scene Investigation, and now he is joining director Dennis Zacek (The Old Man's Friend) to perform as the guilt-ridden character of Ray. Joining him on-stage as Una is Mattie Hawkinson, a talented actress with a long list of credits in Chicago, including The Snow Queen and Half and Half.
Previews of Blackbird will start this weekend, July 3, at Victory Gardens Theater, and run until July 12. Regular showtimes will begin July 13 and go until August 9. For more information about this play or other productions visit the Victory Gardens website.
— Vanessa Day / Comments (0)
Max Grinnell knows if there's one thing that makes a city great, it's its walkability. An urbanologist and Chicago historian (he literally wrote the book on Hyde Park), his latest book chronicles 24 of Chicago's greatest walking tours -- and it's not just for tourists. I asked him recently about how he chose the walks in his guide, how walkability can be measured, and what Chicago's greatest neighborhood is.
How did you go about selecting the routes that appear in these walking tours? What makes a "great walk"?
I knew I wanted to take people into some of the city's less well-known neighborhoods, and I wanted people to have a sense of the historical and architectural milieu in each place. More than a few travel books consist of the well-worn troika of "Buy This," "Eat Here," and "Go to Hackneyed Attraction That Everyone Else Has Already Seen And Buy The Same 'Made in China' Schwag I Could Find Back Home." Pretty formulaic stuff for the most part, and I can imagine that 100 gibbons punching away on laptops could come up with the same stuff, provided they had access to the Internet and strong coffee to stave off utter boredom. This I knew I could not do.
To answer your second question, a great walk is pedestrian-friendly, first and foremost. Two of America's greatest walkers, John Muir and Henry Thoreau, didn't have to contend with these details, as neither of them were big fans of cities. These days, a good sidewalk with relatively few concessions to strip malls (which don't belong in cities in the first place) and high-end condo owners who must have their cars close by at all times, is a must. Jane Jacobs, chronicler of the urban condition and contrarian spirit, always championed this in her books, and she liked to talk about the "ballet of the sidewalk."
— Katherine Raz / Comments (2)
It doesn't take much to imagine a play date. Everyone has at least one in their memory.
Depending on where you lived or who was present, several elements might be guaranteed: dress-up, singing, cops and robbers, changing the rules halfway into the game and little regard for tomorrow.
500 Clown and the Elephant Deal, loosely based on Bertolt Brecht's Man is Man, seems also to be based on one of these play dates gone just slightly wrong.
— Margo O'Hara / Comments (0)

A fire hydrant made of canned goods on display at the Illinois Institute of Art - Chicago. Captured by swanksalot.
— Jamie Smith / Comments (1)
Are you an artist who identifies yourself (or your work) as LGBTIQ? Ever wish for some grant money to put toward your projects? Chances Dances, the popular monthly dance party that seeks to brings together the varied LGBTIQ communities of Chicago and create a safe space for all gender expressions, could grant you this wish--in the form of $500. The Critical Fierceness Grant provides financial assistance to queer artists in order to foster "personal exploration, community development and radical change through art." The application is available here, and be sure to apply soon! The deadline is June 30.
Catch Chances Dances on the third Monday of the month at the Subterranean (2011 W. North Ave.), as well as the spin-off dance party, Off Chances, on the second Tuesday of the month at Danny's (1959 W. Dickens Ave.).
Email chances.dances[at]gmail.com for more information.
— Laura Pearson / Comments (0)
Before we dive into this week's offerings, I wanted to tell you about a little movie that you've probably never heard of (or only heard about in whispered tones in dark alleys) that is finally, after six long years of playing almost non-stop in a Los Angeles theater, making its way to a screen in Chicago. The film is called The Room, and that's really all you need to know about it, other than it's playing at midnight shows at the Music Box Theatre June 26 and 27, and July 24 and 25.
I get mad when I see critics attempt to review or even summarize The Room because it's impossible to capture in words just how truly bad this movie from writer-director-producer-star Tommy Wiseau is. I love that Chicago audiences will finally get a chance to watch this movie, one that needs to be seen in the comfort and safety of a crowd. The film is simply too dangerous to watch alone at home. That being said, the only thing greater than The Room as a theatrical event are the extras on the DVD release, which features an interview with Wiseau that is beyond hilarious. Free promo DVDs will be given out to the first 50 people at each Music Box performance.
Wiseau himself has taken to calling the film a dark comedy, which is a load of crap. I firmly believe he thought he was making high drama when he spent what I'm hearing is millions of dollars making this movie. But don't take my word for it. This film has a celebrity endorsement from none other than Paul Rudd, who first brought the film to my attention a couple years ago. More recently, Rudd's I Love You, Man director John Hamburg told me, "I've been in Paul's bedroom. He has a little table next to his side of the bed, and the only thing on that table is a copy of The Room." There you have it. If someone told me today that The Room was an elaborate hoax, made deliberately bad to make people laugh, I'd almost believe it, but not quite. There are things in this film that you just couldn't make this bad on purpose. See it and then see it again. You've been warned and encouraged; the rest is up to you. All else opening this week pales in comparison, but here it is anyway.
— Steve Prokopy / Comments (0)
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The Art Dealers Association of Chicago, composed of fine art dealerships ranging from the antique to the avant-garde, has added a second round of gallerys to their weekly Saturday tours in River North. Beginning July 18th and taking place every 6-8 weeks, the ADAC will take groups through the burgeoning West Loop art community. Stops on the tour include Peter Miller Gallery, Andrew Rafacz Gallery, Carrie Secrist Gallery, and McCormick Gallery. For more information about the new West Loop tour and their longstanding River North tours, see the ADAC website.
Photo of Kim Keever's "Wildflowers," from the Carrie Secrist Gallery website. Click on image for spectacular full-size version.
— Jamie Smith / Comments (0)
One of the bittersweet realities of the Chicago comedy scene is that there are constantly performers leaving Chicago looking for their big break. The usual path of migration typically involves a move out to LA or New York to find work, but for Devin Keast it meant moving to Michigan to become a hockey announcer. Though Keast may have spent most of his time at the mic talking about slapshots and penalties, his comedic background did not go to waste. This past season he wrote Sunshineface, his second attempt at a solo show. He will tour the show around the country, with stops at the Philadelphia and Kansas City Fringe Festivals, but his first stop is at The Playground this Friday, June 26, at 10 pm.
The Playrground is located at 3209 N. Halsted and tickets are $10. Reservations can be made online or by calling 773-871-3793.
— Dyan Flores / Comments (0)
Chicago's Dance Crash troupe has been wowing audiences and critics alike for the past year, even going as far as to garner the reader's choice award for best dance company in the Reader's Best of Chicago 2009. This week in celebration of Pride Week, KTF is stepping up at the Lakeshore Theater after their blow-out closing performance in for an all-Prince purple revolution. Crash Dance's competitions feature every style of dance, from breaking to ballet, which can only help bring out the madness in style Prince has in his catalog. Renowned Chicago breaker Torsion headlines the dance tribute to the funky man himself.
Chicago Dance Crash continues their late night dance series at the Lakeshore Theatre (3175 N. Broadway). The one-night only show is Friday, June 26th at 10:30 pm. Tickets are $10, and VIP tickets are $15. However, KTF is giving away a pair of tickets to their Friday night show for Gapers Block readers! Email contests@gapersblock.com with "KTF" in the subject line. One winner will be selected at random by Thursday, June 24 at 5 pm. Good luck! UPDATE: Congratulations to Megan, our winner!
— Amy Dittmeier / Comments (0)
Film festivals can be intimidating, even for a seasoned filmophile. There's the stars, the crowds, the fear of not knowing enough to fit in with the "cool kids." Gen Art Chicago makes the concept of a film festival a little less intimidating with it's yearly Gen Art Film Festival. Gen Art is hosting it's third annual screening series at local film houses known for premiering the nation's best in independent cinema. The film festival and Gen Art are known for bringing unique independent art and films to Chicago, coupling bigger name features with short films to expose a mass audience to emerging filmmakers. This year's line-up includes the sure to be summer hit (500) Days of Summer as well as three other up and coming feature movies.
Each screening also has an after-party, hosted at some of the city's hottest bars and clubs. With tickets for the screenings and after parties for only $20 per screening, it's easy to feel glamorous without the price tag attached it to. The festival starts Tuesday, June 23rd and runs until Saturday, June 27th. A full listing for the Gen Art Film Festival can be seen after the jump.
— Amy Dittmeier / Comments (0)

This photo was taken by sierraromeo at the Empty Bottle during a recent Viva Voce set.
— Jamie Smith / Comments (0)
Before I begin my review, I must vent: I just finished watching the hideous incarnation of "At the Movies" with Bens Lyons & Mankiewicz (I watch it purely for scientific purposes, like observing the mating habits of wild slugs). Anyway, these two turd burglars (in particular Mankiewicz) did something I consider something above and beyond the realm of their normal level of assholishness: they spoiled a significant plot point about the Duncan Jones film Moon. Yes, the plot point in question is probably all over the internet for those who love the spoilers, and yes, to a degree, the trailer gives away that something stinky is up in Denmark. But the trailer wisely keeps the film's mysteries cloaked and uncertain; it's actually a magnificent trailer that is even more misleading than you might think and I love it for that very reason. Regardless, the Bens flat out said what the film's only real twist is and they are a couple of dicks for doing it.
That said, I don't think anything could truly ruin the experience of watching Moon, one of the finest works of cinematic science fiction that I've seen in a very long time. I've been telling people that it's the best sci-fi work I've seen in five years, but that timeframe isn't really tied to a particular movie. For all I know, it's the best science fiction film made in 20 years. I keep searching my personal databank to think of a film set in the future that I've enjoyed more, and I have to go back to some major league classic to find one. Like most of my favorite films in this genre, Moon is based on reality. I thoroughly believe that if scientists discovered that the surface of the moon had an energy source stored in it (called Helium 3), it wouldn't take long for a corporation or two to find ways to set up massive mining operations to scrape off the moon's surface, process the material, and ship it back to Earth. I also firmly believe that said corporations would be so cheap that they would use as few employees as possible to man these operations, maybe as few as one worker.
— Steve Prokopy / Comments (3)
Anyone who has popped onto jezebel.com or a similar lady-centric site in the past few months is probably familiar with Sarah Haskins. Haskins is the genius behind Target Women, a hilarious snark-heavy Current TV series that tackles the most infuriating types of female-centric advertising and broadcasting. This weekend Haskins will be bringing some of that hilarity back to Chicago (she's a Second City and iO alum) as part of the Just for Laughs festival.
Haskins will be performing with improv group American Dream on Friday night at 10 pm at the Playground, and again with beloved late night sketch show The Late Night Late Show on Saturday at Midnight at iO.
Tickets can be purchased on the Just For Laughs website here.
And here's one of my favorite Target Women pieces, where Sarah Haskins worries about the safety of Ann Curry:
— Dyan Flores / Comments (0)
Max Grinnell knows if there's one thing that makes a city great, it's its walkability. An urbanologist and Chicago historian (he literally wrote the book on Hyde Park), his latest book chronicles 24 of Chicago's greatest walking tours -- and...
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